Raising the open third string to G# at the 1st fret makes this an E7 chord. By combining the root (C), 3rd (E), 5th (G) major 7th (B) and duplicate 3rd (E), we create a Cmaj7. To change this to a ...

A relaxed understanding born of a long career helped pianist Garrick Ohlsson bring easy grace and Proto-Romantic sensibility ...

Howard Jones tells UCR during a 2024 interview how his version ruffled some feathers and also discusses his tour with Daryl Hall.

Read on to find out how… Perfect intervals - fourths and fifths - are called this because they are neither major or minor, and are therefore the same in major and minor equivalents of the same key (by ...

New England Conservatory Fall Festival Celebrates 'Charles Ives, Ruth Crawford Seeger And American Musical Innovation' from ...

Angela Hewitt and Johannes Brahms are both antiquarians at heart, immersing themselves in very old music—she to perform it in ...

v[velocity] Specifies the velocity (the strength with which you hit the keyboard on a piano). Values are ... more notes are pronounced simultaneously, e.g. chords. "l8 'cegr dfar' " → 8th note C major ...

On “Rhyader,” Latimer’s flute skills come to the fore, gliding over Bardens’ delicate, dreamy piano lines to tell ... with a synth ostinato over power chords before shifting into a lyrical ...

Laughing at the memory, Petty told Zollot that Cash “couldn’t deal with the major-seventh chord.” “He just said, ‘I can’t sing over that. My voice doesn’t sound right with it.

Willie Weeks is best known for his storied bass solo on Hathaway’s 1972 Live album, but the disc also features what may be ...